In the First Branch of the Mabinogi, Rhiannon arrives on a pale horse, riding so slowly that no one can catch her. Pwyll sends his finest riders after her, yet the distance between them never closes. Only when he calls out does she stop, revealing that she had been waiting for him all along.
It is a strange kind of otherworldly power, not displayed through speed or force, but through the refusal to be reached by another person’s urgency. Rhiannon chooses when the journey ends. She is not carried into her story by fate alone. She enters it with intention, speaking first and setting the terms of the meeting.
Later, when wrongly blamed for the disappearance of her son, she endures a cruel public penance, carrying visitors to the court on her back and naming herself the cause of their burden. The contrast is part of her complexity: sovereignty can be radiant, yet still vulnerable to accusation and injustice.
Perhaps the winding road belongs to both truths. Some women move beyond our grasp because they are free. Others are forced to carry what was never theirs.
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